Aside from the fisherman jersey, the team's lack of success defined the 93-96 era. Outside of a playoff appearance in 1994, which resulted in a four-game sweep at the hands of the Rangers, that group didn't have much success on the ice and the band was broken up, as McLennan says.
After his time on Long Island, McLennan moved around the NHL. He played for St. Louis (1997-2000) - where he won the Bill Masterton Trophy in 1998 after overcoming a life-threatening bout of Meningitis - Minnesota (2000-01), Calgary (2002-04), the Rangers (2004), Florida (2006-07) finished his NHL career back with the Flames (2006-07) before playing a year in Asia.
When his playing career ended, McLennan was looking to stay in the game, initially joining the Flames' organization in scouting and player development. He served as an Assistant Coach for two years (2009-11), but when his contract wasn't picked up, TSN reached out to gauge his interest in broadcasting, asking if he'd want to try out being on their panel.
McLennan was interested. He'd kept in touch with Ferraro - who worked at TSN and is one of McLennan's broadcast mentors - and Glenn Healy who was at Hockey Night in Canada at the time. Healy had given him an extra nudge, reminding him that he needed to keep himself busy post-playing/coaching career.
"I flew out there that weekend and enjoyed it," McLennan said. "I always knew I could talk, I was a bit of a BSer my whole life."
ALUMNI CORNER: KELLY HRUDEY
Still, the first time in front of the camera is daunting for any former player, regardless of their capacity for conversation. He remembers it vividly, answering a question on a national broadcast and seeing a piece of spit fly out of his mouth.
"I was like 'Oh my god' watching in slow motion as this thing goes across the table," McLennan said. "I'm [thinking] this is just a disaster, I don't even know what I said. I was just clean enough that it was comprehensible."
"I was nervous, but it was a different type of nerves," McLennan said. "Playing a game, you can somewhat control what goes on and your talent and I grew up doing that. I didn't grow up talking into a microphone or having a director or producer talk to you. A lot of moving parts."