One mall, above all, reigned supreme. The Sherman Oaks Galleria, now a shadow of its
former bizarre 1980s architectural glory
, was front and center of teen culture in Los Angeles. "Like, the Galleria" would soon become synonymous with another well-known Angeleno phenomenon, the Valley Girl, thanks to the release of Frank and Moon Zappa's iconic eponymous song, which included Moon's exaggerated impressions of her Encino classmates:
Whatsa matter with the way I talk? / I'm a Val, I know But I live in like in a really good part of Encino so it's okay So like, I don't know / I'm like, freaking out totally / Oh my God!
Watch: Youtube Video
To call Zappa's feelings on the Valley strong would be an understatement. He claimed that he "hated" it, that it was
"the most depressing place,"
and it
"represents a number of very evil things,"%20Valley%20as%20an%20aesthetic%20concept%E2%80%A6%20To%20me%2C%20%5Bit%5D%20represents%20a%20number%20of%20very%20evil%20things&f=false)
so it seems understandable that he would take aim at the conspicuous consumption so exemplified by the Galleria. To his credit, it's deft work, and his biographer Kelly Lowe, praises his ability to bury
"the Marxist theory of commodity fetishism"
under "four minutes of pure pop confection."
It's surprising, then, that the song was his
"biggest commercial success in years,"
with the single rising to #34 on the Billboard charts, and ended up as his only Top 40 hit. Despite the record not selling well (or so Zappa claimed), the radio airwaves - originating with KROQ! - played it over and over. This sudden popularity led to Valley Girls and the concept of "Valspeak" gaining traction across the country.