Five hours later, Julien unhappily addressed his team's loss to the Predators, who were defeated
4-3 in overtime
by the Detroit Red Wings on Friday, then came into Montreal to dominate their fresh-legged host.
"We got outplayed from start to finish" Julien said. "They had a tough loss (Friday), they felt they didn't play well, so there was a little bit of anger in their game. They were sharp, they were good, and we didn't seem to have a response. Tonight, I thought we were soft, losing battles, second to the puck everywhere and from start to finish.
"You can't just come in and play, you've got to play with a purpose, play with an edge. You've got to want to be better than the other team and that wasn't the case tonight."
It is worth noting that Saturday's play and effort is more indicative of last year's team than this. In fact, despite an offseason where every talk-show caller in Montreal told them what to do, Julien and his bosses, Molson and general manager Marc Bergevin, have pushed most of the right buttons on their own, so far, this season.
Molson's worst-on-the-planet gallows humor was spoken six days before the Canadiens' annual charity golf tournament would lift the curtain on the 2018-19 season, five days before captain Max Pacioretty would be traded to the Vegas Golden Knights for Tomas Tatar, prospect Nick Suzuki and a second-round pick in the 2019 NHL Draft.
Canadiens fans were still fuming over the June 15 trade that had sent fan favorite Alex Galchenyuk to the Arizona Coyotes for fellow forward Max Domi. Enormous question marks were the health of goalie Carey Price and defenseman Shea Weber, who on Oct. 1 would replace Pacioretty and be named the Canadiens' 30th captain.
Yet both trades have worked out well for the Canadiens. Domi, the center on a line with Jonathan Drouin and Paul Byron, is Montreal's leading scorer with 38 points (14 goals, 24 assists). Tatar has 31 points (14 goals, 17 assists) and plays wing with Brendan Gallagher, the Canadiens' leader with 15 goals, on the first line centered by Philip Danault.